Design Gallery
DESIGN 32303
TORU YAMAMOTO
1988
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An oriental arabesque pattern conveys the ancient Japanese love of cherry blossoms. This pattern evokes the peaceful scene that heralds the arrival of spring. The flowing curves of the arabesque pattern calls to mind the vitality of cherry blossoms and expresses elegance and harmony.
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This design is inspired by the floral arabesques found on Indian, Islamic, and Persian columns, walls, and other architectural structures, as well as on ceramics and textiles since ancient times. The flow of the arabesques is beautiful, and the balance between the arabesque and the blank space is exquisite.
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The arabesque pattern of intertwining vines and imaginary flowers and leaves is designed as a flower circle pattern. The flowing shape of the plants evokes a sense of elegance, and the flowers and plants symbolize vitality and prosperity, and have an auspicious meaning.
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Floral arabesques extending to the sky are expressed softly. Even the fine arabesques are delicately expressed without compromise.
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Chintz is a fabric with pictorial patterns, especially famous for its cotton prints imported from India, characterized by vivid colors and intricate designs.
The floral arabesque patterns depicting imaginary flowers were arranged by the designers as times changed with the Japanese peoples' love of cherry blossoms.
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This design expresses the ancient Japanese love of cherry blossoms with an oriental arabesque pattern. The flowing curves of the arabesque pattern evoke the vitality of cherry blossoms and express elegance and harmony.
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A border design with a checkered pattern finely expressed in pointillism with a glossy arabesque pattern as the accent. The warm color scheme gives a nostalgic impression with an oriental atmosphere.
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The delicate design was inspired by Yoshino Mountain, which is famous for cherry blossoms. The combination of the checkered pattern and pointillism enhances the oriental attraction. The color scheme of bright green and light blue brings a graceful and elegant atmosphere.
